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艺术无性别,只有性别偏见


      The abstract expressionism movement was predominantly showcased by men artists, which historically led to the exclusion of women from the art canon. Across three experiments (N = 800), we examined the attribution of male authorship using 160 abstract expressionist paintings and investigated whether artworks created by men and women are evaluated differently. Participants were more likely to attribute male authorship to the artworks, regardless of the artists’ gender, specifically if the artworks had higher levels of black paint and angular lines. Differences in art history-relevant attributes and subjective aesthetic ratings were driven by stylistic differences between artists not by their gender. Our findings highlight gender biases in evaluations of art, emphasizing ongoing challenges for women artists and the need to reassess societal biases in artistic recognition. (PsycInfo Database Record (c) 2026 APA, all rights reserved) 

      抽象表现主义运动历来主要以男性艺术家为代表,这种历史性格局导致女性艺术家在艺术经典建构过程中长期被排斥在外。基于此,本研究通过三项实验(N=800),以160幅抽象表现主义绘画为材料,考察了观者对男性作者身份的归因倾向,并进一步探讨由男性与女性创作的艺术作品是否会受到不同评价。结果表明,无论作品实际出自男性还是女性艺术家之手,参与者都更倾向于将这些作品归因为男性创作;这种男性作者归因倾向在作品中黑色颜料使用程度更高以及线条更具棱角性时尤为明显。研究同时发现,在艺术史相关属性及主观审美评分上的差异,并非由艺术家的性别所驱动,而主要源于不同艺术家之间的风格差异。
      本研究结果揭示了艺术评价过程中所存在的性别偏见,强调了女性艺术家在艺术认可中仍然面临的持续性挑战,并提示有必要重新审视社会在艺术承认与价值赋予中的潜在偏见。
 
      出处:https://psycnet.apa.org/record/2026-59463-001